Marvel is bringing back new Punisher comics — all thanks to the man behind the skull

Jon Bernthal as the Punisher on Daredevil: Born Again | Image via: Disney+
Jon Bernthal as the Punisher on Daredevil: Born Again | Image via: Disney+

The Punisher is back.

Not just in the bloody panels of Marvel’s next comic series, not just as a name slapped on merchandise or variant covers. The Punisher is back because Jon Bernthal dragged him out of the grave with sheer force of presence. You do not just reboot The Punisher. You resurrect him, scarred and snarling, with every brutal, broken piece (almost) intact.

Jon Bernthal brought new layers to Frank Castle on-screen. He rewired how audiences and even Marvel itself see the character. His Punisher is not a cartoonish one-man army or some edgy power fantasy. He is a man hollowed out by grief, a man with rage that does not free him but chains him tighter every time he pulls the trigger. And that is the version people demanded back.

However, here is the kicker. You cannot bring The Punisher back in 2025 without facing the shadows that skull symbol has thrown over the real world. You see it on cop cars, on military patches, on groups that turn Castle’s pain into their own twisted badge of honor. Daredevil: Born Again did not sidestep this. It walked right into the fire, forcing Frank to confront what his symbol had become outside the comics and outside the show.

So when Marvel rolls out Punisher: Red Band this fall, with Frank Castle clawing his way back into the spotlight, it is more than a violent reboot. It is a reckoning. A clash between the man behind the skull, the legacy he cannot shake, and the actor who made sure none of us could look away.

Let’s break down why The Punisher’s return is not just a publishing move but a cultural moment and why Jon Bernthal is the reason it hits this hard.

Jon Bernthal is the soul behind The Punisher’s return

You can reboot a character a hundred times on paper, but that does not mean anyone will care. What made fans sit up was not just the announcement of Punisher: Red Band. It was the fact that Jon Bernthal had already reignited the fire.

Bernthal’s performance as Frank Castle has been called one of the most intense and emotionally raw portrayals in Marvel’s live-action universe. He plays Castle not like a man seeking revenge, but like a man consumed by loss.

The anger feels lived-in and the grief feels permanent. Daredevil: Born Again leaned into that hard, showing Frank Castle not as a macho killer, but as a man haunted by what his symbol has become.

It is no coincidence that Marvel’s new comic push lands just as Bernthal steps back into the role. His presence has reshaped the public image of The Punisher. The comics are no longer just trying to tell a cool story. They are trying to match the emotional weight Bernthal brings to every scene. That is what fans wanted. That is why Frank Castle is back at all.

On top of that, Bernthal is not stopping with just the series. A Punisher special is in development at Disney+, part of the Marvel Studios Special Presentations lineup, and it is set to explore Castle’s fractured psyche even further.

Bernthal is co-writing the script alongside director Reinaldo Marcus Green, signaling how deeply involved he is in shaping this new phase of The Punisher’s journey. This is not just an actor-for-hire job. Bernthal is staking his reputation and creativity on making sure Frank Castle’s return feels earned and unforgettable.

The Punisher’s skull is a symbol Marvel can no longer ignore

For years, the Punisher skull was a comic book logo. Then it became something darker. Police forces, military units, and extremist groups started adopting it, twisting Castle’s personal war into their own power fantasy.

Inside the world of Marvel, this created a problem. Frank Castle was never meant to be a hero to authority. He is a man who wages war on broken systems. In Daredevil: Born Again, the writers finally faced that tension head-on. They forced Frank to reckon with how his image had been stolen and corrupted.

Now the comics have no choice but to deal with that fallout too. Punisher: Red Band promises to go darker and bloodier than anything before, but it is not just about shock value. It is about a character fighting the criminals on the streets and the ghosts attached to his identity.

What makes this so explosive is how much of it spills into real-life discourse. The skull logo has become shorthand for authoritarian toughness in certain police and military circles, raising global debates about whether fictional symbols can be responsibly managed.

Marvel is now under pressure to address this not just through splashy action, but through meaningful narrative choices. Fans will be watching closely to see if Frank Castle dismantles his myth or becomes buried beneath it.

Two Punishers, one legacy

While Frank Castle returns, Joe Garrison is still active as the "new" Punisher. Garrison was introduced as a fresh take, a former S.H.I.E.L.D. agent using cutting-edge tech and fighting superpowered enemies. His series gave Marvel room to experiment.

But Castle’s comeback complicates everything. Now there are two men carrying the mantle, two visions of what The Punisher should be. One is sleek and modern. The other is raw and personal.

This duality raises questions for Marvel’s future. How do you balance the old with the new? Can Frank Castle and Joe Garrison coexist, or is Marvel setting up a clash? Fans will be watching to see if the comics explore this dynamic or if Castle’s return ultimately overshadows the younger, more polished Punisher.

What is especially intriguing is whether Garrison will be given real narrative space or quietly phased out. Marvel has a pattern of introducing legacy successors only to push them aside when an original icon returns. If the creative team behind Punisher: Red Band truly wants to innovate, they will need to explore what it means to share the skull, or to challenge the very idea of a singular Punisher identity. There is story gold here if they dare to mine it.

Why The Punisher’s return is bigger than comics

Frank Castle coming back is not just another Marvel event. It is not just about variant covers, new costumes, or collectors scrambling to grab issue number one. It is about a character who has outgrown his pages and become a cultural flashpoint.

The Punisher today is a symbol tangled up in real-world politics, fan devotion, and media representation. You cannot separate the comics from the image painted by Jon Bernthal, whose raw, unapologetic performance turned Castle into something more than just another antihero. You cannot separate that skull from the uncomfortable truth of how it has been used far beyond the panels either.

Marvel’s decision to bring back Frank Castle is a gamble. It says they are willing to engage with the messy, complicated, and sometimes dangerous power of the character. And it says they know fans are not looking for nostalgia. They are looking for meaning.

At the same time, the Disney+ special promises to stretch Frank’s emotional arc even further, moving beyond bullets and body counts into the psychological trauma that defines him.

This is not a mere expansion of Marvel’s streaming catalog. It is a signal that Frank Castle’s story is being treated as a serious character study, one that has the potential to reshape how we talk about violence, justice, and loss in the superhero genre.

The Punisher is back, and thanks to Jon Bernthal, we are all paying attention.

Edited by Beatrix Kondo